His Legacy in the Finger Lakes


Laurel C. Wemett
March 9th, 2018, Life in the Finger Lakes

Artist Arthur Dove at a waterfront location, date unknown. Photo courtesy Geneva Historical Society

As Jim Spates ascends the winding staircase that leads to the third floor of the Dove Block in downtown Geneva, he likes to imagine he is following the footsteps of Arthur and “Reds.” The Arthur that Spates is thinking of is the 20th century American artist, Arthur Dove, and “Reds” is Helen Torr, his artist wife. When the couple lived in Geneva in the 1930s, the top level of the large commercial building became their home and studio for a period of time. Now, Spates and Dave Bunnell have been engaged in raising awareness of their Save the Dove Block project. For nearly three years, the efforts to revitalize the building with its fascinating link to modern art and Geneva’s history appear to be paying off.

It was while Spates was walking downtown in 2015, a year after his retirement from a distinguished teaching career at Hobart William Smith Colleges (H&WS), that he took a long look at the dark and empty building. The red brick structure was built in 1878 by Arthur Dove’s father, William G. Dove, a successful contractor and brick manufacturer. The words, “Dove Block” are inscribed on a rectangular block centered in the cornice of the building’s Exchange Street façade. “Wouldn’t it be terrific if it was living again?” Spates recalls thinking. He was struck by the structure’s size, its Victorian-era architectural style, and prime location on Castle and Exchange Streets at what he calls, “the most important intersection in the city.”

“I like cities,” explains Spates, an Urban Sociologist who taught at HWS for 40 years. The longtime resident of Geneva believes a restored Dove Block would contribute to a city renewal. Over its 140-year history, the structure hosted an assortment of occupants, although it has been vacant for more than a decade. Its nearly 13,000 square feet accommodated a succession of businesses on its first floor. The upper two floors served variously as an auditorium, a National Guard drill hall, a roller skating rink, a gathering space for professional wrestling and boxing matches, a radio station, a dance hall, and the Salvation Army. In the 1890s it even became a destination for opera and acting troupes as “Dove’s Opera House.”

Exchange Street II, 1938

Dove, today an internationally recognized artist, has roots in the Finger Lakes region. Born in Canandaigua in 1880, he moved when he was two with his family to Geneva, where he grew up. He attended college at Hobart College for two years and then graduated from Cornell University in 1903. Of special interest to Spates, Bunnell and others is the Dove Block’s use as the artist’s studio over 80 years ago. Dove had returned to Geneva from Long Island to settle his mother’s estate in 1933. Rather than live in the family home on South Main Street, he and Torr stayed in a farmhouse owned by the Doves on the Lyons Road before moving downtown to the Dove Block’s top floor in 1937. Living space was created around the large central space and there was access to the roof with views of the city and Seneca Lake. The couple stayed in Geneva until 1938 and those five years are considered by various Dove specialists to be the most productive period in Dove’s artistic career. Later, Dove and Torr returned to Long Island where they lived for the remainder of their lives in a small cottage overlooking the water. That home, a converted post office, is today on the National Trust of Historic Places.

Saving and Memorializing

The Dove Block fortunes began to look up when Spates’ downtown stroll included a stop at the Geneva Neighborhood Resource Center just down the street. Sage Gerling, who heads up that organization, responded to the professor’s interest in reviving the pivotal commercial building by bringing together like-minded citizenry including Matt Horn, the Geneva City Manager.

“It is about two things: saving an important building and memorializing Arthur Dove,” says Dave Bunnell, a building developer who was among those at that first gathering. The Pennsylvania native and lawyer had a strong background in business and real estate in Texas and Minnesota before arriving in the Finger Lakes region. He is currently at work on a small resort-type property on Seneca Lake. His renovations include several commercial buildings on Castle Street and residential properties like the Dove family home on South Main Street where Dove and a younger brother, Paul, both lived.

“By the end of the summer of 2015, Dave and I became the ‘self-appointed’ heads of a Save the Dove Block group and, over the course of the next year, we had a series of meetings with those folks who continued to show interest, learned who owned the building and what was needed to get it operating again,” explains Spates. “Geneva is in the midst of serious renaissance and the Dove Block is the linchpin that will kick start other businesses.”

The plan is for new businesses to rent the first two floors. The Hobart and William Smith Colleges bookstore is considered a possible tenant for that space. The third floor will become a museum to honor Arthur Dove and his work. To realize their goals two 501(c3) non-profit groups were created.

Overseeing the purchase of the building and bringing it back to modern standards is the responsibility of the five-member Dove Block Restoration Group board headed by Bunnell as President and Spates as Vice-President. Local lawyer Murray Heaton serves pro bono on this board as do the other members. Currently, an English business woman, Elizabeth Wehman, owns the Dove Block, having purchased it at a tax sale in 2006. While her plan to renovate the building as a center for the arts did not come to fruition, she carried out crucial structural restoration to one wall. Last year, drawing on $200,000 raised by the Dove Block Restoration Group, the owner began receiving an annual rental fee with an option to buy.

Spates heads up the second 501(c3) organization, the Arthur Dove Tribute Group. Its five members include Bunnell as Vice-President. “On this floor there will also be the story of the Dove Block in connection with Geneva,” explains Spates, standing near the center of the vast third floor. Dove reportedly roller skated from one painting to another in the enormous space bathed by natural light entering through numerous tall windows. Someone has tacked up a photocopy of one of Dove’s paintings just to the side of an east-facing window linking the artwork to the skyline view. Opposite, along the solid 60-foot wall, the artist hung 25 paintings in 1938. An image of that remarkable collection has survived in a panoramic photograph.

An elevator will be needed and a climate-controlled portion of the third floor will allow for changing exhibits of original artworks by Dove and other artists like O’Keeffe and Stieglitz. Tentatively to be called the Arthur Dove Center for the Visual Arts, the ample space could provide classrooms for teaching and public programming. Spates says he took on the third floor as an “Arthur Dove” focus because of his strong personal interest in modern art. “The more I learned, the more I realized that, in Dove and his history in the city, we had one of the most important artists of the American twentieth century, a Geneva native who had created dozens of his most acclaimed works in Geneva – in the Dove Block!”

Dove’s artwork can be seen in major museums in New York City, Chicago, Washington, DC, and Boston.  In the Finger Lakes region, his art is found at Rochester’s Memorial Art Gallery and the Herbert F. Johnson Museum at Cornell University in Ithaca. The proposed Dove exhibits in Geneva “will connect Dove with his geographical origins,” says John Raimondi, an internationally known public-scale sculptor who serves on the Dove Tribute board.  “He was a unique American artist and is credited as the first to create non-representational art in North America.”